An Australian electronic band spearheaded by Jarrah McCleary (lead vocals, keyboard, guitar), and now including Tom Marland (keyboard, guitar), and Tim Commandeur (drums). Panama’s second EP Always (2014) earned the band spots on BBC Radio 1, Triple J’s Iconic Hottest 100 and has received millions of plays on Soundcloud.
Born in Oregon, Shaughn Crawford is a LA-based photographer who studied at the Academy of Art University in San Francisco. Shaughn’s work can be seen in several notable publications including Rolling Stone, GQ, and SF Magazine. He maintains his work in advertisements, album artwork, music videos, editorials and documentary projects—explore it here.
The members of Panama spent their youth along the rugged coasts of Australia, and distill those golden days into songs that are bright and refreshing, yet still recall the nostalgia of summer passing. When frontman Jarrah McCleary came to Los Angeles to record Panama’s EPs, he found a similarly sun soaked atmosphere that helped him pare back some of the wildness in his music, to find a balance between live instruments and electronic beats without losing their big, anthemic call to sea and sky.
Back in LA for a poolside performance at Skybar by Mondrian, Jarrah and bandmates Tom Marland and Tim Commandeur talk to us about California, film music, and a more authentic live performance.
Shaughn Crawford: How did Panama come together?
Jarrah McCleary: We started playing together since the start of the year. As far as Tim, Panama’s drummer, is concerned he sort of came about early on.
Tim Commandeur: About two years ago we played a show together with another band and their drummer at the time couldn’t play a show so they asked me to fill in and I ended up playing a little bit more and here we are.
JM: Tom came about in October of last year, and that’s been really cool because he brings a few more things to the table. He plays guitar, synth as well and keyboard like I do… and does a lot of stuff on the tech side of things. Tom has helped the live show a lot as far as getting that dance music crossed with the live music aspect and making it work live, because in the past we sort of struggled with that. He’s helped Panama be what it needs to be. So right now I feel that this three-piece thing we have going feels right for the first time… it’s taken a couple of years but it feels like this is it.
We try and bring across that intimate kind of thing where it sounds big but what you see is what you hear. We want to keep the performance real and a bit raw, whereas in the past we weren’t as stripped back. But it’s been a great step because we have had to rely on the performance whereas in the past we were more focused on the layering of sounds. When we make mistakes now it feels kind of… better… you know what I mean?
TC: Yeah it’s more real.
SC: It seems like you guys are really hitting your groove… And what about the name Panama?
JM: I came up with that concept around the first EP. I had a few different names and I was also looking at film music because I’m into score writing for films. The idea occurred to me that I could call upon visual elements and incorporate that into the music… so that it’s just a way of inspiration.
SC: How did you end up recording your EP in Los Angeles?
JM: The first EP was just me… These guys (gesturing to Tim and Tom) are like the touring unit. As far as Panama creatively, it’s just me writing the songs and recording those first two records in LA.
“We want to keep the
performance real and a bit raw,
whereas in the past
we weren’t as stripped back.”
— Jarrah McCleary
Los Angeles native Eric Broucek is a record producer, mixer, engineer and composer. After working as house engineer for five years at DFA Records’ Plantain Studios in New York, Broucek founded his own recording studio in 2008, producing music with !!!, Classixx, Hercules and Love Affair, Holy Ghost!, and many more.
I met a guy named Eric Broucek. Eric mixed a lot of different DFA-type hits like Midnight Magic, Classixx, and LCD Soundsystem, I believe. We came about via a Skype chat one time. I was talking to a bunch of producers for the first EP and Eric was one of them. He happened to be the same age as me and we really kind of clicked. We both had similar ideas about what we wanted and the direction I was going at the time… that combination of push and pull of real instrumentation with electronic music.
SC: What has been your favorite part of LA?
JM: I have been here a few times and its starting to feel a lot more like home. I really like California – the vibe and laid-backness. It’s kind of like Australia until people start talking to you.
Tom Marland: We only got in yesterday but Hollywood has been really cool.
TC: It’s just a fun vibe… It’s so different going across America when you go to Middle America to small towns and then into this. It’s nice to soak up different vibes.
SC: What has been your favorite show you’ve played thus far?
TC: Earlier in the year we came to SXSW and played a bunch of shows and there was one gig we played at the Soundcloud house – we hopped on stage and when we played the first chord there was just such a connection with the audience and us on stage. It was just electric the whole set.
An independent record label, touring agency, and music publisher based in Sydney, Australia.
JM: Yeah it was awesome. We had the Future Classic guys come up and celebrate with us… Those guys are doing really well right now so to get the thumbs up was really encouraging for us.
SC: And you guys are signed with Future Classic.
JM: Yeah that came about, I think, when they heard our song on the radio, a song called “Magic” that I did right at the start of Panama. It was the first song that went to the radio and they heard it and contacted me on Soundcloud. It was rad—we sort of had some chats and talks over the next six months.
It’s been fantastic as far as having them involved you know? They are genuinely fans, serious fans of music. It’s been fantastic for Panama.
TC: Everything they do is just so well executed.
JM: Music that we all like is on that label so it’s a pretty special time for us to be part of it… we just got to make sure we write good songs.